The Babadook Review

The Babadook (the debut feature written and directed by Jennifer Kent) is a great film. It uses an overarching metaphor and hyperbole to communicate the true horror: the devastating loss of a loved one, and the possibly more devastating state of having to cope with the event. The metaphor and hyperbole identify a demonic/monstrous/evil and oppressive spirit (the Babadook).

The Knick, the 180-degree rule and forms of continuity

In a recent episode of The Knick, “Working Late a lot,” there is a scene where Dr. Levi Zinberg (Michael Nathanson) is giving a presentation on a new medical device. While there are shots of Dr. Zinberg, there aren’t as many as there typically would be of a speaking character. The focus is on Dr. John Thackery (Clive Owen), essentially moving his head from Dr. Zinberg, to Zinberg’s presentation board, to the audience, as he sits away from the majority. Immediately, this sequence stood out to me, as it should have for many viewers. The sequence takes importance away from Dr. Zinberg and gives it to Dr. Thackery (which is right, and I will say why shortly), but this isn’t the only reason why such a sequence stands out. While there might be more, like the amount of fast cuts (about 2 seconds each) in the sequence, I will draw attention to only one, i.e. the breaking of the sacred 180-degree rule.